Ethnomusicology forum 32/2 2023 Routledge, Taylor & Francis

By: Contributor(s): Material type: Continuing resourceContinuing resourceSeries: Ethnomusicology ForumPublication details: Basingstoke, Hants, U.K. : Routledge Taylor & Francis Group, 2023Description: Volume 32 Number 2 August 2023 illustrations ; 24 cmISSN:
  • 1741-1912
Subject(s): Genre/Form: Additional physical formats: Ethnomusicology forum (Online)LOC classification:
  • .
Available additional physical forms:
  • Also issued online; abstracts and TOC are free, full content requires subscription.
Summary: Articles: Across the Pacific: the strategic citizenship of Chinese musicians Shelley Zhang Music career and sustainability: the strategies of a hiplife musician Joshua O. Brew ‘Barrister is Fújì and Fújì is Barrister’: Fújì music, self-making and the politics of genre-making in Lagos, Nigeria Oladele Ayorinde Thai musicology in context: epistemic disparities in Thai and western ways of knowing Thai music John Garzoli & Tharanat Hin-on Much more than ‘Danny Boy’: bringing Irish traditional music to the USA Daithí Kearney & Adèle Commins The contrasto: observational analysis of an extemporaneous vocal-gestural performance in Tuscany, Italy Leonardo D’Amico
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Title from cover.

Place of publication varies.

Issue for June 2004 also called Jan. 2004.

Articles:

Across the Pacific: the strategic citizenship of Chinese musicians
Shelley Zhang
Music career and sustainability: the strategies of a hiplife musician
Joshua O. Brew
‘Barrister is Fújì and Fújì is Barrister’: Fújì music, self-making and the politics of genre-making in Lagos, Nigeria
Oladele Ayorinde
Thai musicology in context: epistemic disparities in Thai and western ways of knowing Thai music
John Garzoli & Tharanat Hin-on
Much more than ‘Danny Boy’: bringing Irish traditional music to the USA
Daithí Kearney & Adèle Commins
The contrasto: observational analysis of an extemporaneous vocal-gestural performance in Tuscany, Italy
Leonardo D’Amico

Also issued online; abstracts and TOC are free, full content requires subscription.

Published for the British Forum for Ethnomusicology.

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