Ethnomusicology - Fall 2022 Vol. 66 Nr. 3 Journal of the Society for Ethnomusicology Society for Ethnomusicology

By: Contributor(s): Material type: Continuing resourceContinuing resourceSeries: The Society for Ethnomusicology. 2022 Vol. 66 Nr.3 Publication details: Middeltown, Conn. The Society for Ethnomusicology 2022Description: 545 sISSN:
  • 0014-1836
Uniform titles:
  • Ethnomusicology (trykt utg.)
Subject(s): Additional physical formats: Ethnomusicology (online)Other classification:
  • Ka 5
  • Kf:13
  • Kf:34
  • Kf:59
  • T
  • Re 209a
  • Re 5
Summary: Poetry Writing as Transgressive Ethnography Sean Williams Sonic Space-Making on the Margins of Power: Electronic Music, Agency, and Alternative Belonging in the Republic of Macedonia (2011–2014) Dave Wilson Music and Incitement to Violence: Anti-Muslim Hate Music in Burma/Myanmar Heather MacLachlan Chimichagua and the Musical Ecosystem of the Tambora in the Depresión Momposina Bernardo A. Ciro-Gomez and Juan Francisco Sans Following the People, Refracting Hindustani Music, and Critiquing Genre-Based Research Anna Morcon Music, Seduction, and New Beginnings: The Ikorodo Maiden Dance of Nsukka Ruth Opara and Benedict Agbo
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10-årsregistre

Poetry Writing as Transgressive Ethnography
Sean Williams

Sonic Space-Making on the Margins of Power: Electronic Music, Agency, and Alternative Belonging in the Republic of Macedonia (2011–2014)
Dave Wilson

Music and Incitement to Violence: Anti-Muslim Hate Music in Burma/Myanmar
Heather MacLachlan

Chimichagua and the Musical Ecosystem of the Tambora in the Depresión Momposina
Bernardo A. Ciro-Gomez and Juan Francisco Sans

Following the People, Refracting Hindustani Music, and Critiquing Genre-Based Research
Anna Morcon

Music, Seduction, and New Beginnings: The Ikorodo Maiden Dance of Nsukka
Ruth Opara and Benedict Agbo

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