Ethnomusicology forum 31/2 2022 Routledge, Taylor & Francis

By: Contributor(s): Material type: Continuing resourceContinuing resourceSeries: Ethnomusicology ForumPublication details: Basingstoke, Hants, U.K. : Routledge Taylor & Francis Group, ©2004-Description: Volume 31 Number 2 August 2022 illustrations ; 24 cmISSN:
  • 1741-1912
Subject(s): Genre/Form: Additional physical formats: Ethnomusicology forum (Online)DDC classification:
  • 780.89
LOC classification:
  • ML3797.6 .B75
Available additional physical forms:
  • Also issued online; abstracts and TOC are free, full content requires subscription.
Summary: Pop goes the postcolony: Britain remixes Hugh Tracey's Malawi Ian R. Copeland Intercultural creativity in the Nigerian-Igbo art music of Okechukwu Ndubuisi Sunday Ofuani 'Give us a choice': voice, envoicement, and the politics of 'world music' at WOMAD James Nissen Organscape, geography, and aural spaces of kemence in and around Trabzon Ugur Aslan and Songül Karahasanoglu Musical sustainability vis-a-vis intangible cultural heritage: safeguarding and incentives in the feast of the Virgin of Candelaria, Puno, Peru Rodrigo Chocano
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Title from cover.

Place of publication varies.

Issue for June 2004 also called Jan. 2004.

Pop goes the postcolony: Britain remixes Hugh Tracey's Malawi
Ian R. Copeland

Intercultural creativity in the Nigerian-Igbo art music of Okechukwu Ndubuisi
Sunday Ofuani

'Give us a choice': voice, envoicement, and the politics of 'world music' at WOMAD
James Nissen

Organscape, geography, and aural spaces of kemence in and around Trabzon
Ugur Aslan and Songül Karahasanoglu

Musical sustainability vis-a-vis intangible cultural heritage: safeguarding and incentives in the feast of the Virgin of Candelaria, Puno, Peru
Rodrigo Chocano

Also issued online; abstracts and TOC are free, full content requires subscription.

Published for the British Forum for Ethnomusicology.

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