Dance research The Journal of the Society for Dance Reserach Edinburgh 2021

By: Material type: TextTextSeries: Dance Research. Volume 39. 1, Summer 2021 Publication details: Edinburgh Edinburgh University Press 2021Description: 145 sSummary: Robert Cohan Clement Crisp pp. 1– Poetic Transformations in Matisse's Earliest Dance Images Carol Salus pp. 6–32 Dancing with Diversity: Performing Possibilities, Transforming Disabilities Marjolein Gysels and Joop Oonk pp. 33–52 Good Pain, Bad Pain: Dancers, Injury, and Listening to the Body Jen Tarr and Helen Thomas pp. 53–71 Dancing Right(s): Dance, Disability and Legal Empowerment in Post-War Sri Lanka Hetty Blades pp. 72–88 ‘What's in a Name?’ Taxonomic Choices in the Field of Dance Studies Jeanette Mollenhauer pp. 89–105 ‘It was as if my ballet had never existed!’: August Bournonville and the Reception of Brudefærden i Hardanger Patricia Puckett Sasser pp. 106–12 Reviews Sara Houston, Dancing with Parkinson's Bethany Whiteside pp. 125–126 Lucia Ruprecht, Gestural Imaginaries: Dance and Cultural Theory in the Early Twentieth Century Clare Lidbury pp. 127–128 Isabelle Choinière, Enrico Pitozzi and Andrea Davidson, Through the Prism of the Senses: Mediation and New Realities of the Body in Contemporary Performance. Technology, Cognition and Emergent Research-Creation Methodologies Hetty Blades pp. 128–129 Lise Uytterhoeven, Sidi Larbi Cherkaoui: Dramaturgy and Engaged Spectatorship Sofia Kalogeropoulou pp. 130–131 Arianna Béatrice Fabbricatore (ed.), La Danse théâtrale en Europe. Identités, Altérités, Frontières Anna Leon pp. 131–132 Susan Leigh Foster, Valuing Dance: Commodities and Gifts in Motion Lizzie Leopold pp. 132–134 Mark Franko, Choreographing Discourses: A Mark Franko Reader, edited by Mark Franko with Alessandra Nicifero Marion Kant pp. 134–136 Hanna Walsdorf (ed.), Ritual Design for the Ballet Stage: Revisiting the Turkish Ceremony in ‘Le Bourgeois gentilhomme’ (1670) Tanya Williams Wetenhall pp. 136–137 Arianna Beatrice Fabbricatore (ed.), Il Virtuoso Grotesco. Gennaro Magri Napoletano Margaret M. McGowan pp. 138–139 Samuel N. Dorf, Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890–1930 George Sampatakakis pp. 140–141 Beth Genné, Dance Me a Song: Astaire, Balanchine, Kelly, and the American Film Musical Renate Bräuninger pp. 141–143 Carrie Noland, Merce Cunningham: After the Arbitrary Tom Hastings pp. 143–144 Henrietta Bannerman and Richard Bannerman, Changing the Face of British Dance: Fifty Years of London Contemporary Dance School Phaedra Petsilas pp. 144–145
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Robert Cohan
Clement Crisp
pp. 1–

Poetic Transformations in Matisse's Earliest Dance Images
Carol Salus
pp. 6–32

Dancing with Diversity: Performing Possibilities, Transforming Disabilities
Marjolein Gysels and Joop Oonk
pp. 33–52

Good Pain, Bad Pain: Dancers, Injury, and Listening to the Body
Jen Tarr and Helen Thomas
pp. 53–71

Dancing Right(s): Dance, Disability and Legal Empowerment in Post-War Sri Lanka
Hetty Blades
pp. 72–88

‘What's in a Name?’ Taxonomic Choices in the Field of Dance Studies
Jeanette Mollenhauer
pp. 89–105

‘It was as if my ballet had never existed!’: August Bournonville and the Reception of Brudefærden i Hardanger
Patricia Puckett Sasser
pp. 106–12
Reviews

Sara Houston, Dancing with Parkinson's
Bethany Whiteside
pp. 125–126

Lucia Ruprecht, Gestural Imaginaries: Dance and Cultural Theory in the Early Twentieth Century
Clare Lidbury
pp. 127–128

Isabelle Choinière, Enrico Pitozzi and Andrea Davidson, Through the Prism of the Senses: Mediation and New Realities of the Body in Contemporary Performance. Technology, Cognition and Emergent Research-Creation Methodologies
Hetty Blades
pp. 128–129

Lise Uytterhoeven, Sidi Larbi Cherkaoui: Dramaturgy and Engaged Spectatorship
Sofia Kalogeropoulou
pp. 130–131

Arianna Béatrice Fabbricatore (ed.), La Danse théâtrale en Europe. Identités, Altérités, Frontières
Anna Leon
pp. 131–132

Susan Leigh Foster, Valuing Dance: Commodities and Gifts in Motion
Lizzie Leopold
pp. 132–134

Mark Franko, Choreographing Discourses: A Mark Franko Reader, edited by Mark Franko with Alessandra Nicifero
Marion Kant
pp. 134–136

Hanna Walsdorf (ed.), Ritual Design for the Ballet Stage: Revisiting the Turkish Ceremony in ‘Le Bourgeois gentilhomme’ (1670)
Tanya Williams Wetenhall
pp. 136–137

Arianna Beatrice Fabbricatore (ed.), Il Virtuoso Grotesco. Gennaro Magri Napoletano
Margaret M. McGowan
pp. 138–139

Samuel N. Dorf, Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890–1930
George Sampatakakis
pp. 140–141

Beth Genné, Dance Me a Song: Astaire, Balanchine, Kelly, and the American Film Musical
Renate Bräuninger
pp. 141–143

Carrie Noland, Merce Cunningham: After the Arbitrary
Tom Hastings
pp. 143–144

Henrietta Bannerman and Richard Bannerman, Changing the Face of British Dance: Fifty Years of London Contemporary Dance School
Phaedra Petsilas
pp. 144–145

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