Dance chronicle Volume 43 Number 3 2020 Studies in dance and the related arts Taylor & Francis Group

Contributor(s): Material type: Continuing resourceContinuing resourcePublication details: New York Marcel Dekker Taylor & Francis GroupDescription: s. 235-355ISSN:
  • 0147-2526
Uniform titles:
  • Dance chronicle (trykt utg.)
Subject(s): Additional physical formats: Dance Chronicle (online)Other classification:
  • TS:2
  • TS:10
Summary: Founding Editors’ Awards, Honoring Richard Ralph in 2019–2020 Joellen A. Meglin, Lynn Matluck Brooks & Clare Lidbury Florence Treadwell Boynton in Progressive Era Berkeley: Early Modern Dance and California’s Political Unconscious Olive Mckeon Choreographing Appalachia as America: The Hazards of Nostalgia on the Concert Stage Janet Schroeder Kenneth MacMillan and the Visual Arts: A Case Study Cristina de Lucas The Pathology of Joker’s Dance: The Origins of Arthur Fleck’s Body Aesthetics in Todd Phillips’s 2019 Joker Film Anna-Sophie Jürgens Critical Reflection in Action, or Learning to Live Again, and Again Victoria Thoms Creative Critical Representation of the Choreographer’s Creation Process Gemma Collard-Stokes Memoir as Tribute: Remembering Merce Cunningham Karen Eliot
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Holdings
Item type Current library Call number Status Date due Barcode
Continuing Resources Continuing Resources RFF 500 (Browse shelf(Opens below)) Available 9363

Periodisitet varierer

Index vol. 1-10 i 10(1987)nr 3

Founding Editors’ Awards, Honoring Richard Ralph in 2019–2020
Joellen A. Meglin, Lynn Matluck Brooks & Clare Lidbury

Florence Treadwell Boynton in Progressive Era Berkeley: Early Modern Dance and California’s Political Unconscious
Olive Mckeon

Choreographing Appalachia as America: The Hazards of Nostalgia on the Concert Stage
Janet Schroeder

Kenneth MacMillan and the Visual Arts: A Case Study
Cristina de Lucas

The Pathology of Joker’s Dance: The Origins of Arthur Fleck’s Body Aesthetics in Todd Phillips’s 2019 Joker Film
Anna-Sophie Jürgens

Critical Reflection in Action, or Learning to Live Again, and Again
Victoria Thoms

Creative Critical Representation of the Choreographer’s Creation Process
Gemma Collard-Stokes

Memoir as Tribute: Remembering Merce Cunningham
Karen Eliot

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