The tango machine musical culture in the age of expediency Morgan James Luker Chicago og London, 2016
Material type: TextSeries: Chicago studies in ethnomusicology | Chicago studies in ethnomusicologyPublication details: Chicago London The University of Chicago Press 2016Description: xiv, 218 s. 23 cmISBN:- 9780226385402
- 9780226385549
- 784.188850982 23
Item type | Current library | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|
Books | RFF | AR460 (Browse shelf(Opens below)) | Available | 8639 |
In Argentina, tango isn't just the national music - it's a national brand. But ask any contemporary Argentine if they ever really listen to it and chances are the answer is no: tango hasn't been popular for more than fifty years. Morgan James Luker explores that odd paradox by tracing the many ways Argentina draws upon tango as a resource for a wide array of economic, social, and cultural - that is to say, non-musical-projects. In doing so, he illuminates new facets of all musical culture in an age of expediency when the value and meaning of the arts is less about the arts themselves and more about how they can be used.
On the Values of Music in Expedient Argentina
The Genre Culture of Contemporary Tango Music
Contemporary Tango and the Cultural Politics of música popular
Tango among the Nonprofit Arts
Tango as Part of the Intangible Cultural Heritage of Humanity
Tango and the Cultural Industries
He Sings Better Every Day Musical Culture in the Age of Expediency
Notes
Bibliography
Index
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